Maus: A student's essay, written with my assistance - English Works
Learn and understand all of the themes found in Maus, such as Impact of War. This is true during World War II, when Vladek, Anja, and their extended Artie and Vladek both want a closer relationship with each other, and Artie is the one The more Vladek needs help and advice, the more uncomfortable Artie becomes. In Chapter 1, we learn that Art - both the author and the narrator of Maus - wishes to After that incident, Vladek is ready to end his marriage, and he makes Anja promise .. He asks his son for advice on what to do, but Vladek does not know. In Maus, Art Spiegelman describes a number of Vladek's war-time experiences. A topic that doesn't initially seem sensitive is Vladek's relationship with Lucia.
Relationships - Andrea's Maus Project
Artie instantly dismisses the idea. Artie complains that she is making him feel guilty, and she leaves the room in a huff. Her open-mindedness, though, makes the situation harder on Artie. He is viscerally against the idea of having Vladek live with them. Active Themes Artie goes back to his recordings, but the phone rings as soon as he turns on the tape player.
She and Vladek have been living together in Florida, she tells him, and Vladek has been spending an unsettling amount of time in the hospital. Though he instructed her not to worry Artie, he has just been admitted to the hospital for the third time in a month because of water in his lungs, and Mala fears the situation is serious.
As they talk, Vladek appears in the room with Mala — he has checked himself out of the hospital against the advice of his doctors. He wants to return to New York, he tells her, so he can be near Artie in case something happens. Mala begs Artie to come to Florida and help her. Possibly, after spending so much time helping Vladek adjust to life without Mala, he is grateful to have a break from worrying about his father.
Being a son can be a full-time occupation when a father is nearing the end of his life. Active Themes Artie arrives in Florida to find Vladek has exhausted himself with packing. While Vladek rests in bed, Artie asks Mala about their apparent reconciliation. She got a call from the hospital and went to visit him, Mala says. Mala is obviously unhappy with the situation, but says she feels trapped — Vladek is so sick and dependent, she cannot bring herself to leave him alone. Artie has allowed Mala to become trapped by refusing to step in and help his father.
His resistance to the responsibility of caring for his father has created a need that Mala feels obligated to fill, and for that reason, Artie is just as much to blame as Vladek is for her entrapment. Spotting a tiny airplane in the sky, Vladek tells Artie that it was a plane very like that one that took him from Poland to Sweden inafter the war had ended. There was nothing left for him and Anja in Poland, but the Americans had imposed quotas for refugees, and it was impossible to immigrate directly to the United States.
At the end of the war, millions of people — Jewish and non-Jewish alike — were displaced from their homes and left with almost nothing. The last weeks of the fighting, especially, left countless homes destroyed, along with infrastructure such as bridges and roads that made daily life possible.
Maus: A student’s essay, written with my assistance
In some cases, entire cities were left uninhabitable. People had to go wherever the local and national government could support them. In Sweden, Vladek works as a manual laborer, as do most other refugees. Eager to make a better living, he visits a department store — one whose owner has already assured him that there are no jobs available in sales — and asks for a chance to prove himself as a salesman.
When Vladek manages to sell the entire stock, the owner hires him.
Eventually, Vladek becomes a partner in the business. He and Anja are well off in Sweden, and he is sorry to leave when their American visas come through. Vladek would happily have stayed in Sweden and enjoyed the life he and Anja built for themselves there. He goes to the United States because Anja needs to be near her brother.
His comment from an earlier conversation with Artie, that a part of Anja died after Herman was killed in a hit-and-run, feels especially significant at this moment.
After years of robustness and independence, Vladek now may face a long, difficult decline. Upon arriving, he learns from Mala that they are planning to sell the house and move full-time to Florida. Vladek is easier to live with, but he is no longer the same man. Active Themes Vladek is resting in bed. The photograph of Richieu hangs on the wall above the dresser.
Artie comes into the room and sits beside his father. Vladek is pleased to see Artie, but surprised —he has forgotten about their phone conversation the day before, when Artie said he would be visiting. Artie has his tape recorder. If Vladek feels well enough, he says, they can tape the end of his story.
When Vladek dies, or begins to forget the things that have happened to him, his important testimony will be gone as well. In doing so, Spiegelman enhances the image of the dead Jews and the brutality of the cats that continues to haunt both father and son.
Because of these behaviours, he cannot connect on an emotional level with his son. Vladek is neurotic about food, disease, death and profligacy. He compulsively organises his pills, seeks to save every penny, and fixes everything through his own abilities.
Vladek refuses to hire anyone to fix household problems. Spiegelman suggests that his entrepreneurial skills were the reason he stayed alive in the labour camps.
In a humorous way, this reinforces the stereotype of the stingy Jew. In a revealing retort, Vladek adamantly states: Art believes that he must bear the brunt of these disorders which make it almost impossible for Art to have a normal and calm relationship with his father.
Spiegelman depicts many second generation holocaust survivors struggling with the agony of loss experienced by their traumatised parents. Vladek inadvertently refers to Art as Richieu in the final frame of the graphic novel. These emotions surface in different ways for each of them. Feeble and distraught at the loss of Richieu, Anja emotionally strangles Art as she fears losing another son.
As a consequence, Art stifles his own emotional response towards his mother, which leads to guilt. The ghost-like thriller of the large black monster and the abstract drawings of the skull and the bony hands depict Art as the hideous victim of a grisly perfect crime story.
This is also despite the parallel narrative of the love story. Art wears the pin-striped Jewish prisoner uniform which features prominently in the graphics related to the concentration camp. It is apparent that Anja does this because she does not wish to lose another son.Maus Chapter 6- The End?
However, Art constantly resists her love.