I never understood the buffy/spike relationship? : buffy
I don't want to defend an attempted rapist, because that's what Spike is in that scene, regardless of his intentions (because ultimately, his. 9 Angel (And Spike) Aren't Buffy's Only Great Loves Buffy and Satsu's relationship never turned too serious, but they did have a romantic one. As Spike often quips, ain't love grand indeed. The definition of the relationship that develops between Buffy and Spike is a frequent topic of.
With the defeat of The First -- an apocalyptic evil that birthed all other evil in the world -- Buffy had ensured that she was no longer the only Slayer in the world. Instead, any young woman with the potential to become a Slayer, gained those powers instantly, creating an all-new Slayer army.
All of this was only made possible, however, by the sacrifice of Spike, who came to the end of his character arc in the only way he could. Following a perfect night spent together, this happiness was not meant to last. Angel soon discovered that by becoming human, he had sacrificed any chance he had at continuing his superheroic mission. In order to continue to fight the good fight, he convinced the Oracles to wind back time to before his fight with the Mohra, and before the perfect day he shared with Buffy.
This heartbreaking decision was made worse by the fact that only he will ever remember the time they spent together. His affection for Buffy stretched to her younger sister Dawn, although that affection was in more of a protective big brother way. When the real Spike lunges upward in bed, he is panting and his limbs rise uncomfortably beneath the sheets, suggesting an erection. So how to classify Buffy and Spike now? While they are no longer mutual in their opinion of one another, the inclusion of romantic feelings are unquestionably one-sided.
Spike, on the other hand, has schemed, kidnapped, and tried to kill them. The rarity in this one-sided affection is significant because Spike falls in love with someone who is an adversary not just in principle like Angel but also in personal history.
Spike does fit this qualification, for a while anyway. He regularly composed dreadful verses in an attempt to win over socialite Cecily, who declared him as beneath her. While this behavior is at times wonderfully comedic, it is nonetheless undeniably creepy. He takes it to its most extreme form when he, the obsessed lover, threatens murder in the name of the beloved.
In addition to obsessed lover however, the courtly lover in Spike is also still active.
- TROPHY CASE
The robot may be uncanny in appearance but is a simplified and degrading version of the real thing that Spike programs to talk dirty and pleasure him. Similarly, Buffy also steps back from her attitudes when she displays her first genuine regard for him. She acknowledges his loyalty with a soft kiss that is not driven by formality but by a gratitude held between friends.
She articulates this sentiment afterwards: What you did, for me and Dawn, that was real. The fifth year for Buffy and Spike began with a relationship based on mutual hatred to a relationship based on imbalance, with Spike becoming a courtly lover, an obsessed lover, and at times a hybrid of both.
When Buffy is determined not to sacrifice Dawn to save the world, she goes further to say that she will kill anyone who even goes near her, a pointed comment that gives insight to her apprehension, even for her friends. And yet, Spike is the one that Buffy personally counts on to protect Dawn because she instinctively knows that he will. Buffy may not trust him, but she values him in a conditional manner.
This concept is best demonstrated in the scene when Buffy and Spike return to the Summers home for supplies. When Buffy is on the staircase, he calls her and she stops halfway to listen: But you treat me like a man.
This is precisely why a utility friendship fits them in these circumstances. Spike loves Buffy, Buffy values Spike conditionally. The beginning of the sixth season finds Buffy gone and her friends and sister carrying on the fight against evil without her — and then there is Spike.
Having wept openly at the sight of her lifeless body, Spike fights alongside the Scoobies all summer and continues to look after Dawn. Spike believes that he has failed Buffy, and can only make up for it by protecting her sister in life where Buffy, having died, cannot.
Gone is the notion of courtly love, obsessive love, and the perversity of the previous season — Spike has entered another league in his emotions towards Buffy, even without her in the picture anymore.
This is not to say that their sentiments have not changed however, for Buffy connects to Spike in ways that she cannot with anyone else — note that he is the only one that she allows to touch her without an initial flinch when he takes her bloodied hands in his. Only Spike knows instinctively what Buffy went through, and it is in this shared trauma that a deeper bond is forged.
Buffy then accepts Spike as her confidant by confessing only to him that she was torn out of heaven and not hell, a level that no longer qualifies their relationship as a utility friendship.
Buffy, however, steps out of the dark and into the sunlight after swearing Spike to secrecy. They express the same desire in the other partner in wanting to feel, but it is grounded by lust. Their kiss is not like any kiss that Buffy has shared with Angel and Riley — it is not a sensual, soft, close-lipped kiss that is framed in glorious close-up, but rather a hungry, open-mouthed, lunge that is framed wide in order to include their bodies, which are being heatedly pressed against one another.
They each recognize the ability to feel something through their partner, but the situation is hardly ideal. When Spike discovers that his chip no longer activates with Buffy, the two engage in foreplay in the form of a full-fledged fight that culminates when Buffy mounts him, pulls a zipper down, and begins to thrust erotically.
The fact that their first sexual encounter takes place after a knockdown fight that brings walls down is an easy metaphor and foreshadow of a literally destructive companionship. Pressed against a yellow wall with a dumpster just a few feet away, they are hardly in an ideal location for romance. The fact that they go at it in this environment is a product of their erotic desires.
Though their sex is not loving and romantic, it is the first instance where a confidant becomes a lover. Confidants in the series, to a large extent, have been nonsexual and are people that are turned to when they want to talk about love relationships with other people.
The fact that Buffy and Spike are the first to make the shift from confidants to lovers is not insignificant. They have a history that progressed to this point rather than one that starts from it, an early indication to a more mature and messy adult relationship, even in light of being currently driven by lust and not love.
When Buffy and Spike acknowledge the ability to feel something through their partner through sex, they both engage in mutual enjoyment. The problem with their pleasure friendship is that falling into lust under separate pretenses proves harmful to both of them.
They both desire the other partner to make them feel, but while Spike is in love with Buffy, Buffy is using Spike for sex. What is clear, however, is that Buffy is ashamed of herself. Spike, on the other hand, is and always has been the one more emotionally invested. Angel turned Buffy the Vampire Slayer into not just a show, but a whole universe. Yet there's more to Angel and Buffy than simple melodrama.
8 Reasons Angel Is Buffy's BAE (And 8 Reasons It's Spike) | CBR
There are tons of behind-the-scenes secrets coming from production and cast interviews that only the hardcore Buffy and Angel shippers realize exist. It turned from the funny and quirky high school drama with vampires to the funny and quirky high school drama with vampires where horrible, awful and tragic things happen. It was during season 2 that Buffy slept with someone for the first time.
She slept with her serious boyfriend and Angel turned into a literal monster. Angelus and Buffy battled and it all ended with Buffy being forced to face Angelus in single combat. Yet the Buffyverse was better off keeping Angel in it. Nothing can bring out the ire or praise from a fellow Buffy fan than sharing an opinion on which vampire was best for the slayer. Discussing the merits of Buffy and Angel is minefield for even the most level headed Buffyverse fans.
However, the father of the entire franchise, Joss Whedon has his own very specific opinions. Whedon has gone on record several times explaining that he found Angel incredibly difficult to write. Spike, however, was much easier for Whedon to craft.Spike & Buffy - Toxic
Whedon felt there was far more between the two character. Though Whedon does admit that Buffy and Angel was his most epic romance. Once Angel left the series, Spike did really start to dominate as a character. He turned from a recurring side player to series regular. Whether Whedon was right to give Spike so much to do, is a matter of personal taste, but at least Whedon committed. Almost everything is the end of the world, whether in a personal or more literal and global sense.