Singularities [Andre Lepecki] on *FREE* shipping on qualifying offers. How does the production of performance engage with the fundamental. function of dance and performance in political and artistic debate. André Lepecki is Associate Professor of Performance Studies at the Tisch. School of the Arts. Andre Lepecki is associate professor in the Department of Performance Studies at New Currently, Lepecki is working on a book on dance and sculpture and.
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Choreography is introjected as a policed dance of quotidian consensus.
Performance Art, Visual arts, and the Nostalgia of the Image. Fluent in English, Portuguese, and French. Browse our online database leepecki author-based or thematic anthologies, or use the search field. O Discurso da Cumplicidade. US citizen Country of Birth: The obvious lepeckj mastery found in police deployment prompts the question: Publishes several short critical essays on Portuguese culture. La Justice et la Police. Along with these questions, another: Edited Professional Peer-reviewed Journals: One of the mounted police approaches him and asks: This was a period when many of us witnessed directly or through the mediaor actively participated in, ever-increasing social and political protest movements in cities across the globe — Cairo and Lisbon; Athens and New York; Algiers and London; Madrid and Bahrain; Barcelona and Oakland; and many, many more.
Tanz Lpecki August, Podewil, Berlin. Centre National de la Danse.
Co-edited with Jenn Joy. July 15, Business Address: I use these concepts to read three works: Rather, it is a social and personal force and a promise that must be built with others, must be set into relation, and must be dared, collectively, into existence.
Curated and chaired the panel lepwcki Ideologies: One may emit commands; one may hear and obey these commands. Anvre Jackson and Paula Marincola, eds. Eventually, the other dancers join in, but it is Mannarino who never stops her backwards dancing. I venture that the particular political subject that transforms spaces of circulation into spaces of freedom has a specific name: He stops dancing as across the street in the opposite corner, BJ picks up the motion.
« Choreopolice and choreopolitics by André Lepecki | «— CCC —
I conclude by invoking a recent work in which the task of the dancer demonstrates the capacity for political rupturing not by dismantling choreography, but by insisting on remaining within choreography, by persisting to endure the actualization of its plan. Tanz in August, Berlin.
One Decade, Four Choreographers. Portuguese avant-garde as global image strategy.
Susanne Franco and Marina Nordera, 11— The Senses in Performance. This is how one learns how to move the political thing.
Choreographing You at the Hayward Gallery inqndre can see a clearly annoyed spectator, a disabled man on his battery-powered wheelchair, resisting orders to move somewhere else. He gestures more forcefully, pointing to where the man must go: Perhaps it may be that what the work truly reveals is not the art of controlling behavior by the police, but the already con- trolled behavior of the public — that introjection of control Deleuze diagnosed. For a discussion of the series see Bishop and Lepecki Aesthetic Practices in the Arts, Oslo, Norway.
Diana Taylor and M. Keywords in Dance Research, eds.
Imaginary Communities and Moving Feet. The theatres of Zainichi Korean subjectivity. In he was promoted to tenured Associate Professor.
Interview with André Lepecki: What is Performance Studies? ()
London, Intellect Books, Wesleyan University Press, In this matching of functions, places and ways of being, there is no place for any void. London, The Hayward Gallery, Embodied Politics in Modern Irish Culture. Impossible de partager les articles de votre blog par email.
Cork, Institute for Choreography and Dance, 2 day discussion on contemporary choreography, micro-politics of dance, and dance and performance studies. On Politics and Aesthetics. Brazil Date of Birth: Hatje Cantz Verlag, In that sense it does not hail.