Certaines informations figurant dans cet article ou cette section devraient être mieux reliées Le rossignol en amour ; Double du rossignol ; La linote éfarouchée ; Les fauvétes plaintives ; Le rossignol-vainqueur ; La Julliet ; Le carillon de. François Couperin. Le Rossignol-en-amour et Double, for harpsichord (Pièces de clavecin, III, 14e ordre). Composition Information ↓; Appears On ↓. Share on. ‘Angela Hewitt’s third (and final) selection of François Couperin’s keyboard music . The first is one of Couperin’s most beautiful pieces, Le Rossignol en amour.
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The Duc de Saint-Simon wrote of him, saying:. Playing his music means immersing oneself in a large cast of characters and trying to find the secret to each one. But then the mood changes abruptly: This is musically one of his most interesting pieces, and is in two distinct parts.
Then appears Modesty in pink, followed by Ardour in a flesh-coloured cloak. Couperin was the epitome of grace, of light and shade, of subtle inflections, of melancholy and lightheartedness. Be respectful of artists, readers, and your fellow reviewers.
Koketterie mit ihren diversen Farben wunderbar dargestellt durch die drei unterschiedlichen Taktarten in den ersten vier Takten bringt etwas Schwung ins Geschehen. There is more to it than that, however. Surtout, il voulait que la musique touche les gens: Coquetry livens things up a bit wearing different colours wonderfully portrayed by the use of three different time signatures in the first four bars.
Easily share your music lists with friends, students, and the world. Und nach der Treue? Woe betide the interpreter who thinks he knows better than the composer, who says: The rakes of Paris gained a hold over him.
He also says it cannot sound better than when it is played well on the transverse flute. In Couperins eigenen Worten:.
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I was coming to the end of a complete JS Bach cycle on disc played on the pianoso why not look at the French harpsichordists of the period? Le Rossignol En Amour.
Do you usually like this style of music? Then come the benevolent Cuckolds in yellow, accompanied by a cuckoo-like musical motif.
Austerity was the order of the day, as France was then involved in the War of the Spanish Succession. In Couperins eigenen Worten: There are ways, of course, of being expressive on the harpsichord and they are many and varied. The last character to arrive is Frenzy or Despair — in black. You may also enter a personal message.
Sheet Music, ‘Le Rossignol En Amour’ | ‘Le Rossignol Vainqueur’, Couperin, F, Flute & Piano
So I got the scores to all keyboard pieces by Couperin and began reading them. Published by Schott Music HL. Some kind of whirling dance is suggested for sure. Offensichtlich war es damals genauso wichtig wie heute, am Morgen aufzustehen, selbst mit einem Kater. Is the transcription accurate? Close X Saved to Music List.
As a dancer myself throughout my childhood, I am drawn to any music that is dance-like. For her, Couperin writes a rondeau with a chromatic descending bass and three couplets, the last of which shows both of these qualities. She was a gifted harpsichordist and composer, known for her delicacy and brilliance.
Above all, Couperin wanted music to affect people: Fluency and grace in movement, gesture and deportment were part of a general education, especially for the nobility. Used to roesignol you regarding your review. Couperin’s music is tinged with melancholy – perhaps due to his declining health, which seems to have bothered him for the last 20 years of his life, or perhaps brought on by the disappearance of his son, who disowned his parents we do not know why.
Review Guidelines Explain exactly why you liked or disliked the product. Unlike her programming on the previous discs Hewitt here only plays one complete Ordre suite —the hugely entertaining 13th with its wicked parody of a debauched een ball.
Is it a good teaching tool? Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first. More by this Composer: